Do you know, is your book character-driven or plot-driven? The first question should be, what does character-driven and plot-driven mean?!
In a plot-driven story, the action is the focus of the writing, not the character. The character tends to be static; there is little character development. Plot-driven stories are often genres like horror, action, science fiction. An example of a plot-driven story is Dan Brown’s mystery thriller The Da Vinci Code. The story focuses not on the development of protagonist Robert Langdon or focus character Sophie Neveu but on their search for clues in an attempt to solve a mystery.
Character-driven stories focus on the character, the character’s emotional depth and the transformation the character experiences. A famous example of a character-driven story is Harper Lee’s To Kill a Mockingbird. The central characters, children Scout and Jem Finch, develop an awareness of racism and its implications when their lawyer father Atticus defends Tom Robinson. They also ‘grow up’ (develop) in their understanding of their neighbour Boo Radley when he ultimately saves them from the story’s villain.
NY Book Editors explain it like this: ‘Whereas plot-driven stories focus on a set of choices that a character must make, a character-driven story focuses on how the character arrives at a particular choice. The plot in a character-driven story is usually simple and often hyper-focused on the internal or interpersonal struggle of the character(s).’
Do you write character-driven or plot-driven stories?
As writers, our style naturally tends towards either character-driven or plot-driven stories. What’s important is to get the balance right – because both plot and character are necessary!
This means becoming aware of how we approach storytelling – that is, whether we write character-driven or plot-driven stories – and then consciously making a choice to keep the balance right between character and plot.
Problems of imbalance
Why is it necessary to have a balance between character and plot? Most of us write because we love writing. Beyond that, we write so that readers will want to read our books. We’re writing for an audience, ultimately, and good storytelling engages our audience through to the end of the story. This means we need to find the happy balance between character and plot.
Losing the plot
Stories that focus so much on character that they ‘lose the plot’ risk making their characters yawningly boring. A character may be appealing, intelligent and good-looking but if they are given no task to fulfil in the story – no conflict they have to face, so no growth and no development – then there’s unlikely to be great reader engagement with the story.
Too much focus on plot
A fast-paced page-turner with heaps of action and heart-stopping scenes that leave the reader breathless, but that star one-dimensional characters, will be unsatisfying to the reader. One-dimensional means the characters lack depth, they do not learn or grow – they are boring.
How to nail it
If you’re struggling with getting the balance between character and plot right, these ideas may help:
When you’re watching a movie, follow it more closely than you might usually and work out whether it’s character-driven or plot-driven.
Read excellent books written by excellent writers. You can’t go wrong with the classics of worldwide literature, and if you’re unsure, a quick Google search will reveal them. Your local librarians are a good source of knowledge on first-rate writers and books.
A couple of examples of books where the author got the balance between character and plot just right are:
Do a writing exercise
Challenge yourself to come up with an interesting situation asking a ‘what-if’ question, like Stephen King suggests (see below). Think up your main character, and then write a scene or a couple of pages. You never know; from these humble beginnings an award-winning story may be born!
Many writers’ centres all over the English-speaking world now offer online courses in many aspects of creative writing. Search online to see what’s on offer for 2019.
What Stephen King says
Let’s finish this discussion with what storytelling master Stephen King says in his book On Writing: A memoir of the craft. He says that he distrusts plot, putting forward two valid reasons: ‘… our lives are largely plotless, even when you add in all our reasonable precautions and careful planning’. He also believes that ‘plotting and the spontaneity of real creation aren’t compatible’. What is needed is a strong situation. He proposes that the ‘most interesting situations can usually be expressed as a What-if question’, and gives examples of his own books: ‘What if vampires invaded a small New England village? (Salem’s Lot). What if a young mother and her son became trapped in their stalled car by a rabid dog? (Cujo)’ (© 2000 Stephen King).
I hope you have found the post, Is your book character-driven or plot-driven? – useful. Let me know if you’d like more on this topic.
Australian Writers’ Centre, Character-driven versus plot-driven stories, 2014.
https://www.writerscentre.com.au/blog/character-driven-versus-plot-driven-stories/. Accessed 14 Jan 2019
Jennifer Kenning, How to be your own Script Doctor, 2006, the Continuum International Publishing Group, New York. Page 83: https://books.google.com.au/books?id=WT4VZC4lKiQC&pg=PA83&lpg=PA83&dq=Character+driven+vs+plot+driven+stories&source=bl&ots=biInlzdkNQ&sig=MeS9yKpo4drzEEIcC0_JBKBRws4&hl=en&sa=X&ved=2ahUKEwjFtpTCvuzfAhUFKo8KHcQtA084lgEQ6AEwAHoECAoQAQ#v=onepage&q=Character%20driven%20vs%20plot%20driven%20stories&f=false. Accessed 14 Jan 2019
Stephen King, On Writing: A memoir of the craft, 2000, Hodder & Stoughton, London.
NY Book Editors, Character-Driven Vs. Plot Driven: Which Is Best, nd.
https://nybookeditors.com/2017/02/character-driven-vs-plot-driven-best/. Accessed 14 Jan 2019
The Guardian, How to Write, 2000. https://www.theguardian.com/books/2000/oct/01/stephenking.sciencefictionfantasyandhorror. Accessed 15 Jan 2019.
Gail Tagarro, Accredited Editor (AE)
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